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Turquoisette
17 December 2009 @ 07:42 pm
Photobucket Recently I realized that I seek out, purchase, check out at library, or put on my holiday/birthday wish lists, personal memoirs of celebrities. But these aren't historical or hugely iconic celebrities who have changed the world in major or dramatic ways, these are celebrities somewhat close to my age, raised up by other celebrities, and who grew up in worlds not unlike a theme park or a page from a Doctor Suess book. It's my dirty little secret.

The last memoir I relished and devoured in one fell swoop was McKenzie Phillip's. Of course the routine incest with her dad might have compelled me to peek, just a little bit, just to glimpse into that train wreck of a life, and it was compelling and satisfying, reading about big time rock stars and all the insanity and dysfunction that went along with that. It was good, oh yes, it was good.

One year I curled up during a holiday bout of a flu and read Tatum O'Neal's autobiography. Who knew how mean and selfish Ryan O'Neal could be? Or Farrah for that matter. Tatum was no picnic either, not to mention her tennis star husband.

I've read Valerie Bertinelli's memoir and was fascinated by the decadent lifestyle of her rockstar hubby Eddie Van Halen. She's a good girl, that Valerie. I've also read Carnie Phillips harrowing ordeal with weight loss surgery.

Melissa Sue Gilbert has a memoir but I haven't been that interested in it because I don't know of any skeletons in her closet, no terrible obstacles like drugs or incest or alcoholic life partners. No knife fights with Nellie Olson to tantalize my interest.

Now I would read Kristy McNichol's book, but don't know yet if she has one. She sort of disappeared off the radar and I remember hearing something about her struggle with mental health.

I think I might have read parts of Thigh Master queen whatserface, but her story was aired on Lifetime starring none other than herself. That was pretty good. She's a survivor that one.

Did Courtney Love write a memoir? If so, I'd totally read it. I'm pretty sure I did read a Nirvana book a time or two. Who can remember these things absolutely? They're like popping candy in your mouth.

I can remember one of the first celebrity memoirs I ever read and that was Coal Miner's Daughter by Loretta Lynn. I read that book when I was still in Junior High -- seventh or eighth grade. And it's a really good book too. In the eighth grade I read Francis Farmer's biography, and that also was riveting and beyond effed up.

Valerie Bertinelli has another memoir out, but I don't much care about her diet and exercise program -- I wanted to read about Eddie! I'm interested in Jane Fonda's latest book too, her life as Ted Turner's shadow. I used to exercise to her record -- what a movement that was! Did she really have a rib removed for a slimmer waist?
 
 
Turquoisette
16 December 2009 @ 01:40 pm


I was told by those old ones
that every song has a special time and a place where its sang
this is our song
and this our time
they used to say the only good indian is a dead indian
i must be a no good at being indian
cuz I feel alive and kicking
we are the bastard reject children of manifest destiny
the offspring of fornicating aimsters
raised by our grandparents who told us
not to confuse being warriors with gangsters
the edward curtis groupies get jazzed by anyone fitting the bill
and America gets jazzed by every Bury My Heart at Walmart film
here i stand before you
this crowd of nations
this life of sanctions
an awkward patience
like five hundred BIA buildings vs. a fathers’ unfiltered hate
right next to the IHS building with a two and a half week wait.
a cinderblock battlefield where few are left standing
and the people its failing, its’ marginalized estate.
i am armed to the teeth with words from the ivory tower
and those good indians told me its borrowed power if…
if i talk loud enough
if i talk clear enough
that i would be heard
that for some talking is singing
that for some singing is praying
but i guess that depends on who is doing the talking
and i guess that depends on who is doing the listening
…so understand me in english,
you have been robbed of your tongues
the taproot of thought
in the middle of resisting
the language got caught
and she only shows her face during ceremony
like she’s ashamed of her scars
like what she has to say is never really heard. at all.
and the violence she knows is enough to never sing again
but i killed the cameraman and stripped him of his lense.
i photographed the body and asked him to forgive.
forgive me as i cut out your tongue
forgive me as i put you in this powdered wig
forgive me when i put your body in a museum
forgive me of all my sins
for not being a good indian
the balls of your forefathers will be traded for whiskey
to fuel the molotov cocktails to be tossed at your cities
and the breasts of your mothers severed and bloody
will be sold to the freak show for the revelers money
your children will witness their whole world collapse
as kidnapped siblings must erase names off maps
so forgive me of all my sins
for not being a good indian
i was taught better than that
i have more respect than that
there is no history book with my story
there is no newspaper to give me my glory
because no one has heard this language in years
cept kokopelli, dream catchers and a trail of beers
my voice is a small pox blanket
that spreads like fire on the prairie
infecting both fist and hatchet
in the spirit of fucking crazy
 
 
Turquoisette
13 December 2009 @ 07:47 pm
 
 
Turquoisette
13 December 2009 @ 11:39 am
My mom's old cookie cutters made a guest appearance last night and this makes me feel weepy inside and terribly nostalgic. Like the toaster my sister still uses--her parents' wedding gift from nearly 50 years ago--the cookie cutters, probably purchased from some garage sale or church bazaar, are likely older than I am.

I like how the camels cut with improper thickness and oven temperature, spread into polar bears or sea lions. And even though the cutter shaped like Santa with a toy pack on his back still puzzles, "What's that?" one is still compelled to waste dough cutting it out, and still its results are thrown away or sloppily frosted and eaten with indiscriminate pleasure.



 
 
Turquoisette
04 December 2009 @ 11:04 pm


http://www.losthorsepress.org/books/ruinedplace.html

lois red elk
erika wurth
susan rich
carolyn forché
yusef komunyakaa
Li-young lee
adrian louis and many others' poems (mine too) are presented in new anthology of In Defense of Global Human Rights edited by Melissa Kwasny and Mandy Smoker.

When we made our call for submissions for an anthology of poems in defense of human rights, the allegations of torture were foremost in our minds. We knew people were outraged, saddened, profoundly moved and ashamed. But we also wanted to reach people who had suffered violations of their own rights from circumstances across the globe, or whose families had, or for whom preventing or healing these violations had become a life’s work. We drafted our call loosely: We are increasingly witness to torture, terrorisms and other violations of human rights at unprecedented degrees. What do our instincts tell us and what is our response to these violations? What is our vision of a future wherein human rights are not only respected but expanded?

Excerpt:

NO EXCHANGE OF LIVESTOCK

It took me fifty years
and countless attempts
to have normal sex.

No booze, no sedatives, no chemical euphoria,
no alcoholic black-out.
No disassociating. No nearly dead drunk.

No “Can’t remember” or if I ever said ”No,” or “Stop.”
No broken marriages. No betrayal, no danger.
No despair, no fixed silence. No blood. No infection.
No lying, no secrets, no night terrors.
No choking or gagging, no warnings, no threats.
No suffocation.

No brothel. No money. No blood feud.
No exchange of livestock, no force.
No genital mutilation. No child brides. No angry God.
No gang rape.
No dawn to dusk curfew. No chattel. No vessel.

No choice. No chance.
And where was God?

They say God saved the few he could.
The rest, however, he kept.

—SHERYL NOETHE
 
 
Turquoisette
03 December 2009 @ 01:12 pm
I would have preferred Bohemian Rhapsody, but this is okay too. Seriously, though, if you care anything about enlivening the Christmas spirit, you'll look at this. Courtesy of Julie who eschews Facebook.

http://vimeo.com/7875084
 
 
Turquoisette
01 December 2009 @ 08:29 pm
I can't stop watching this! Sterlin Harjo, filmaker, made short film "Wolf Pack Auditions" to spoof Twilight's New Moon.

 
 
Turquoisette
01 December 2009 @ 05:25 pm

If the objects emit music,
and are made of clay or turtle shell,
bathe them in mud at rainy season.
Allow to dry, then brush clean
using only red cloth or newspaper.
Play musical objects from time to time.
avoid stereotypical tom-tom beat
and under no circumstances dance or sway.

If objects were worn as funerary ornament,
admire them verbally from time to time.
Brass bells should be called shiny
rather than pretty. Shell ear spools
should be remarked upon as handsome,
but beads of all kinds can be told,
simply, that they are lookin’ good.

Guidelines for the treatment of sacred objects
composed of wood, hair (human or otherwise)
and/or horn, include: offering smoke,
water, pollen, cornmeal or, in some instances,
honey, chewing gum, tarpaper
and tax incentives.

If an object’s use is obscure,
or of pleasing avian verisimilitude,
place rocks from its place of origin
within its display case. Blue-ish rocks
often bring about discovery, black rocks
soothe or mute, while white rocks irritate mildly.
All rocks must return to their place of origin
whenever they wish. Use only volunteer rocks,
or stones left by matri-descendant patri-tribalists.

Guidelines for the treatment of sacred objects
that appear or disappear at will
or that appear larger in rear view mirrors,
include calling in spiritual leaders such as librarians, wellness-circuit speakers and financial aide officers.

If an object calls for its mother,
boil water and immediately swaddle it.
If an object calls for other family members,
or calls collect after midnight, refer to tribally
specific guidelines. Reverse charges.

If objects appear to be human bone,
make certain to have all visitors stroke
or touch fingertips to all tibia, fibula
and pelvis fragments. In the case of skulls,
call low into the ear of eyeholes, with words
lulling and kind.

If the bones seem to mock you
or if they vibrate or hiss,
make certain no mirrors hang nearby.
Never, at anytime, sing Dem Bones.

Avoid using bones as drumsticks
or paperweights, no matter
the actions of previous Directors of Vice
Directors of your institution.

If bones complain for weeks at a time,
roll about moaning, or leave chalky outlines,
return them instantly to their place of origin,
no questions asked. C.O.D.

------ Heid E. Erdrich

from “National Monuments”
 
 
Turquoisette
27 November 2009 @ 12:44 pm
Thank goodness we have Norman Rockwell to portray American life in all of its idealism and splendor; all of its family values and embracing warmth of family life. I had a lovely childhood and this portrait personifies such. My grandmother was was a model of homemaking: she kept an abundant garden, she made her own wine, she sewed everyone new clothes, she never bought bottle dressing, or bottle anything for that matter. At her memorial, a colleague described her as "ferocious." And she was. A RN during WWII. An iron work ethic. An unflailing determination and an irreverent and quirky spirit. So when I think of Thanksgiving, I think of her warm home on "I" street; the table laden with China and silver; Grandpa carving the turkey with his electric knife; jokes and chatter around the big oak table. I've had some semi-memorable Thanksgivings over the years: the year we had a wind storm and all the power went out and we cooked potatoes over the open fire. But the dinners spent in Auburn with my family are defining. A time when everyone was together. I've lost many in the little family circle: Grandma, Grandpa, Mom, Dad, Uncle Murry, but my memories of them remain fixed and strong as ever. If I could have one day to choose from at the end of my life; one day to live over as it once was, I would choose one of those Thanksgiving days: the bright yellow and orange kitchen with aromatic smells of nutmeg and roasted turkey; a laced tablecloth decorated with autumn leaves and yellow gourds; lively humor and close family bonds.
 
 
Turquoisette
17 November 2009 @ 08:43 am
http://www.avatarmovie.com/

Original screenplay written by James Cameron with inspiration from the Edgar Rice Burroughs "John Carter, Warlord of Mars series." The inhabitants of planet rich in desireable resources are referred to as "indigenous" and "savages." And a love story to rival John Smith and Pocahontas.






 
 
Turquoisette
13 November 2009 @ 02:50 pm
A thorough delight if you like all things "embarrassed" "scared" and "disappointed."

http://www.youtube.com/watch?v=bzjR0yL4f0Y
 
 
Turquoisette
10 November 2009 @ 02:49 pm
Last night after retail therapy I found myself standing at a McDonalds' register about to order some chicken strips.  The friendly Filipino woman attempted to take my order, attempted to record it on her register, but she was still learning to speak and understand English and kept putting in the wrong order.  Which is fine with me.  Because I didn't want to eat from there anyway.  I shouldn't eat there, for political and health-conscious reasons.  So I said never mind and walked away.

 
 
Turquoisette





The Noble Red Man

 

by Mark Twain

First published in The Galaxy 1870

In books he is tall and tawny, muscular, straight and of kingly presence; he has a beaked nose and an eagle eye.

His hair is glossy, and as black as the raven's wing; out of its massed richness springs a sheaf of brilliant feathers; in his ears and nose are silver ornaments; on his arms and wrists and ankles are broad silver bands and bracelets; his buckskin hunting suit is gallantly fringed, and the belt and the moccasins wonderfully flowered with colored beads; and when, rainbowed with his war-paint, he stands at full height, with his crimson blanket wrapped about him, his quiver at his back, his bow and tomahawk projecting upward from his folded arms, and his eagle eye gazing at specks against the far horizon which even the paleface's field-glass could scarcely reach, he is a being to fall down and worship.

His language is intensely figurative. He never speaks of the moon, but always of "the eye of the night;" nor of the wind as the wind, but as "the whisper of the Great Spirit;" and so forth and so on. His power of condensation is marvelous. In some publications he seldom says anything but "Waugh!" and this, with a page of explanation by the author, reveals a whole world of thought and wisdom that before lay concealed in that one little word.

He is noble. He is true and loyal; not even imminent death can shake his peerless faithfulness. His heart is a well-spring of truth, and of generous impulses, and of knightly magnanimity. With him, gratitude is religion; do him a kindness, and at the end of a lifetime he has not forgotten it. Eat of his bread, or offer him yours, and the bond of hospitality is sealed--a bond which is forever inviolable with him.

He loves the dark-eyed daughter of the forest, the dusky maiden of faultless form and rich attire, the pride of the tribe, the all-beautiful. He talks to her in a low voice, at twilight of his deeds on the war-path and in the chase, and of the grand achievements of his ancestors; and she listens with downcast eyes, "while a richer hue mantles her dusky cheek."

Such is the Noble Red Man in print. But out on the plains and in the mountains, not being on dress parade, not being gotten up to see company, he is under no obligation to be other than his natural self, and therefore:

He is little, and scrawny, and black, and dirty; and, judged by even the most charitable of our canons of human excellence, is thoroughly pitiful and contemptible. There is nothing in his eye or his nose that is attractive, and if there is anything in his hair that--however, that is a feature which will not bear too close examination . . . He wears no bracelets on his arms or ankles; his hunting suit is gallantly fringed, but not intentionally; when he does not wear his disgusting rabbit-skin robe, his hunting suit consists wholly of the half of a horse blanket brought over in the Pinta or the Mayflower, and frayed out and fringed by inveterate use. He is not rich enough to possess a belt; he never owned a moccasin or wore a shoe in his life; and truly he is nothing but a poor, filthy, naked scurvy vagabond, whom to exterminate were a charity to the Creator's worthier insects and reptiles which he oppresses. Still, when contact with the white man has given to the Noble Son of the Forest certain cloudy impressions of civilization, and aspirations after a nobler life, he presently appears in public with one boot on and one shoe--shirtless, and wearing ripped and patched and buttonless pants which he holds up with his left hand--his execrable rabbit-skin robe flowing from his shoulder--an old hoop-skirt on, outside of it--a necklace of battered sardine-boxes and oyster-cans reposing on his bare breast--a venerable flint-lock musket in his right hand--a weather-beaten stove-pipe hat on, canted "gallusly" to starboard, and the lid off and hanging by a thread or two; and when he thus appears, and waits patiently around a saloon till he gets a chance to strike a "swell" attitude before a looking-glass, he is a good, fair, desirable subject for extermination if ever there was one.

There is nothing figurative, or moonshiny, or sentimental about his language. It is very simple and unostentatious, and consists of plain, straightforward lies. His "wisdom" conferred upon an idiot would leave that idiot helpless indeed.

He is ignoble--base and treacherous, and hateful in every way. Not even imminent death can startle him into a spasm of virtue. The ruling trait of all savages is a greedy and consuming selfishness, and in our Noble Red Man it is found in its amplest development. His heart is a cesspool of falsehood, of treachery, and of low and devilish instincts. With him, gratitude is an unknown emotion; and when one does him a kindness, it is safest to keep the face toward him, lest the reward be an arrow in the back. To accept of a favor from him is to assume a debt which you can never repay to his satisfaction, though you bankrupt yourself trying. To give him a dinner when he is starving, is to precipitate the whole hungry tribe upon your hospitality, for he will go straight and fetch them, men, women, children, and dogs, and these they will huddle patiently around your door, or flatten their noses against your window, day aft er day, gazing beseechingly upon every mouthful you take, and unconsciously swallowing when you swallow! The scum of the earth!

And the Noble Son of the Plains becomes a mighty hunter in the due and proper season. That season is the summer, and the prey that a number of the tribes hunt is crickets and grasshoppers! The warriors, old men, women, and children, spread themselves abroad in the plain and drive the hopping creatures before them into a ring of fire. I could describe the feast that then follows, without missing a detail, if I thought the reader would stand it.

All history and honest observation will show that the Red Man is a skulking coward and a windy braggart, who strikes without warning--usually from an ambush or under cover of night, and nearly always bringing a force of about five or six to one against his enemy; kills helpless women and little children, and massacres th e men in their beds; and then brags about it as long as he lives, and his son and his grandson and great-grandson after him glorify it among the "heroic deeds of their ancestors." A regiment of Fenians will fill the whole world with the noise of it when they are getting ready invade Canada; but when the Red Man declares war, the first intimation his friend the white man whom he supped with at twilight has of it, is when the war-whoop rings in his ears and tomahawk sinks into his brain. . ..

The Noble Red Man seldom goes prating loving foolishness to a splendidly caparisoned blushing maid at twilight. No; he trades a crippled horse, or a damaged musket, or a dog, or a gallon of grasshoppers, and an inefficient old mother for her, and makes her work like an abject slave all the rest of her life to compensate him for the outlay. He never works himself. She builds the habitation, when they use one (it consists in hanging half a dozen rags over the weather side of a sage-brush bush to roost under); gathers and brings home the fuel; takes care of the raw-boned pony when they possess such grandeur; she walks and carries her nursing cubs while he rides. She wears no clothing save the fragrant rabbit-skin robe which her great-grandmother before her wore, and all the "blushing" she does can be removed with soap and a towel, provided it is only four or five weeks old and not caked.

Such is the genuine Noble Aborigine. I did not get him from books, but from personal observation.

Return to Twain's Indians

 
 
Turquoisette
06 November 2009 @ 03:04 pm
overalls

Ralph Lauren's latest fashion statement A'la Grapes of Wrath: a nod to our tough economic times.  Can someone raise me a legwarmer? Because last week I saw stirrup pants.

Another snippet:  Gordana's vagina dress from last night's Project Runway.

2009-11-06-Picture5.png
 
 
Turquoisette
04 November 2009 @ 12:13 pm

http://www.notellmotel.org/

Birthing

Miriam Bird Greenberg

 
Tip up an axe blade beneath the bed slats
to stop the hemorrhaging, I’ll say.

Take cloth scorched brown in a shovel
over flame to tie the cut cord.

Boil up black snake root tea to cure
your hives. Take a mouse’s ear; it grows

on rocks at the water’s edge. Red
alder works around the heart,

but some nights the moon turns dark
as a stone under water—there’s nothing

to do, though I’ll send the children all evening
in search of pepper grass

if there’s a marsh nearby. Pray
if your god pays you mind, I’ll tell the woman.

Nothing can change those nights,
down the mountain’s dark path—just a twist of tobacco

left in my pockets. Small black bag
and silver scissors, taken oath

to tell no one: a thing like that would
skip to tenth generations. Bound

to come from some mineral
and settle on vegetables with the dew.

At home, I’ll wash out my bag, my mortar
and pestle and tools, then leave them a day

in the sun to get clean.

 
 
Turquoisette
01 November 2009 @ 07:51 pm





Halloween was uneventful, really.  Visited this guy's house (he's the one holding the severed head) for shits and giggles.  I wanted to maybe head to the Cinema to see what all the fuss is about the movie Paranormal, but got held up doing something else.  I was probably in a Almond Joy and Mr. Goodbar stupor of some sort, and then I got interested in the Dexter season 3 episodes, and then, well . . . I know, I have the dullest sort of existence.  I think life would be more FUN if I drank.   Tomorrow night I promise I'll go out and be among the living. 

Drove out to the mall for all the after Halloween sales.  Shalloween.  Ha Ha.  Carved my sister up at the L'Occitane store today.  I was standing in front of these perfume atomizers for the longest time, spraying onto different strips of paper, making comparisons.  At one point I called over to Julie and the pushy clerk, "Hey, what do you think about a person wearing "pine tree forest" scent?  Is that even appropriate as a signature fragrance?"  The scents were sort of odd: Amber, Orange Blossom, Vanilla.  And I was drawn to the scents because I couldn't believe what a bargain they were, only $20.  Usually their perfumes are upwards of $50 for a large bottle.  Julie totally broke up when the pushy store clerk---who insisted on tying scented ribbons to our wrists and dousing us with cedar toilet water---informed me that I was sampling the room fragrances.  "Ohmygosh, I was wondering why the flavors were so strange, this one smells like apples and cinnamon."  "People are going to wonder why you smell like a harvest wreath."  Julie said.  The pushy store clerk just rolled her eyes when she thought I wasn't looking.  "Well, I think it's nice, I like bowls of potpourri."  "Umm, yeah, in the bathroom." 

The French really do have the grossest sounding words for things that are supposed to lend the appearance of something desirable.  There was a line of perfume with "douche" in the name.  I mean, really!  Not to mention "toilet" water. 

We also visited some kind of stuffed animal store for little girls: As we were sitting and drinking our coffees I kept noticing little kids lugging boxes bigger than they were behind them.  "What the heck are those kids schlepping around?"  "Those are _____ Bears."  I don't remember what kind of bears they were, but when we passed one of the stores I insisted we go inside.  Julie seemed to have been there before because she gave me the tour.  "This is the skins and skeletons section."  She said, and sure enough, there were bins full of inanimate skins, sort of creepy really.  Bunnies, dogs, Hello Kitties, and of course, bears.  "This is the stuffing station."  Julie pointed out.  And sure enough there was a huge contraption blowing stuffing around inside.  The stuffing station reminded me of the time when I was in the grocery store with Tom picking up ingredients for Paula Deen white wine chicken: "I need a good stuffing," I actually uttered out loud. 

Julie pointed out the dry and fluff station, and the computers along another wall where stuffed animals were dosed with their identity and adoption papers.  We spent the longest time along the clothing and accessories wall.  I kept looking for a deer hunting outfit because it's Tom's birthday tomorrow.  "Don't they have any rifles?  I want a Camo outfit."  "No, they only have some special forces outfits for Operation Iraq."  "What, no ghetto outfits?  Maybe an AK47?"  "Nope."  Well that was unfortunate . . . but still, the allure of dressing up those little bears.  I mean, the selection, aside from no deer hunting attire, was pretty impressive.  And you know me, I've always had a thing for the stuffed animals.  Julie held out this most adorable black and red striped hat and scarf.  "Oh, look, it's for an Emo-Bear. Adorable."

The most shocking thing I saw were the stirrup pants at Macy's.  I was sort of lusting after the sweater-dresses, remembering how many of those big sweaters I used to have in my wardrobe and wishing I still had them, because I was ready to pony up the cash to buy some.  When I saw the leggings I jokingly said, "What?  No stirrup pants?"  A few moments later, Julie pointed out some to me and I couldn't believe it!  Wow, for those days when a girl's feeling she needs a gynecological  visit, what's the next best thing?  Stirrup pants!

Every time we passed the jewelry counters I needed to point out the bracelets.  One display had big glass beads on elastic string.  They were pretty enough, but I indicated to Julie that I'd seen gobs of these same kind of beads at Michael's for less than 2 dollars a string.  "How much are those bracelets?"  She asked.  I looked at the tag, "$50, holy cripes!"  At KOHL'S we saw some other bracelets, again, very recognizable beads . . . and those cost $45!  I noticed actually how inflated a lot of the merchandise was.  I haven't actually spent much time in a mall, and the prices were sort of freaking me out.  $26 for men's t-shirts.  $80 for a robe.  It made me think that prices must have gone way up when the economy tanked and the stores are trying to compensate for poor number of sales. 

Julie and I had gone to the mall on an important bed spread mission.  Most of them were advertised as on sale, but the original prices were outrageous.  $479.00 for a few yards of fabric?  Julie said, "Well, those are designer."  "Designer?  Who's ever heard of Daisy Fuentes?  I only know her name because I watch too much TV.  And what is this stuff?  I kind of like her designs, but it looks very boudoir, all  these ruffles and lace."  "Yeah," Julie said, "I want my bedroom to look like a whorehouse."  Even Cindy Crawford had a bedding line.  When did it become popular for models to design bedding?  Shouldn't they be designing comeback shoulder pads and stretch-knit stirrup pants or something? 

Impatient with the $500 Calvin Klein comforters and Andy Warhol duvets of Campbell's Soup cans, I threw up my arms and asked the Macy's clerk, "Ya got any beds in a bag?"  For some reason this made Julie gasp, but the clerk led us off towards Martha Stewart's hideous opuses and vomitous motel 6 bed spreads.  "Gosh, ya just can't find a good pineapple print anymore can you?"  You know how when you visit the girl's clothing sections and it's nearly impossible to find anything that isn't pink?  The bedding departments are over saturated with this particular blue hue.  Over and over again, blue, blue, blue.  I don't even know the name of it, but apparently it's very popular right now.

The only comforter that appealed to me was a gray Queen sized comforter.  I couldn't distinguish between the advertisement attached to the display bed.  Was it $79 for the comforter, or $79 for the duvet cover?  Was the display bed the duvet or the comforter? Neither of the two sales people could answer my question.  I told this to Julie later: "Yeah, the OCD guy just stood there ignoring me and acting like I was a nuisance for mussing up the display . . . I mean he couldn't stop straightening the bed, fixing the sheets and comforter, while I kept pulling back the comforter trying to figure out if it was a duvet or not."  Julie said, "Oh, you mean that guy with all the scabs on his face?"  "OH, did he have scabs on his face, I didn't notice, I was too busy trying not to notice that he was afflicted with cerebal palsy, and had an obsessive compulsive disorder."  "Yeah," she said, "He had a terrible disfigurement."  "I just wanted someone to interpret the advertised sale to me, real hotshot sales people they hired at JC Penney's." 

Julie didn't buy anything.  "You didn't even buy anything!  We went to 14 stores and you didn't buy anything."  "Yeah, I did.  I bought coffee." 



 
 
Turquoisette
30 October 2009 @ 02:45 pm
I learned a new term last weekend from local writer Matt Briggs: he had a session about "micro-memoir" or "flash non-fiction."  Hey!  I can do that!  What are those pages of prose poems BUT micro-memoir, also nicely in keeping with the lyrical essay course I took from writer Kim Barnes.  And also essay courses from Mary Clearman Blew, I'm blurring the boundaries.  Emboldened by winning first place in a travel narrative contest I'm working on polishing what non fiction I have accumulated and trying my hand at marketing them for further publication. 

Last night I read Abigail Thomas' "Safekeeping."  Talk about fragmented.  In Barnes' class she had us read an anthology of creative nonfiction that consisted of many experimental types of writing.  I can't even remember the exact title, but it was a huge book.  Since then there have been many other anthologies published boasting the same type of creativity. 

What appeals to me about this type of writing is how closely it approximates poetry.  The majority of my poems are reflections based upon my own experiences -- the only time I make stories up is when I'm writing in persona -- and gosh, even then, I'm borrowing from real emotional situations.  It isn't that far of a leap (a step really) from a poem to a non-fiction narrative -- a lot of times all that's needed is to change the margins, and sometimes that's not even necessary.  

You know what's kind of funny?  There's this idea that prose poems have somehow become the hallmark of Native American writers.  There is an issue of prose poems coming out . . . Sentence . . . I think it's called that features Native American writing.  I think it's sort of funny that there is an idea that particular ethnic groups are excluded from the classical traditions of poetic form. 

The idea that Native American poets should or could reject traditional forms is also ridiculous.  That Native American poets should embrace the experimental because it rebells against typically Western / English traditions . . . I don't buy it.  Not when Natives drive cars, use cell phones, washing machines, type on a computer etc, etc . . .  not when English in many Native communities and of course the majority in urban centers, is one's first language.

I want to write non-fiction that isn't too self-conscious.  But is that the challenge of "micro-memoir" or "flash non-fiction?"  Don't the gimmicks of creative non-fiction serve as a sign that boldly announce LOOK AT ME?  Maybe.  Maybe not.  And to further complicate the writing, there's the strangeness associated with writing from a Native American's point of view.  If I just remind myself that I'm not Ishi and not everything in one's life is based on shallow public opinion and overly generalized ideas and distortions about Indigenous Americans, maybe the writing can come out alright.  

Or just F*#k it all, and write about vampires or zombies.  Ha.
 
 
Turquoisette
27 October 2009 @ 11:53 am
I am in Seattle for the next two weeks or so.   I had a grand time at the Seattle Book Fest, sat on the Gazoobi Tales tables, signed my chapbook for lovely lovers of poetry, and even got to present poetry with a wonderful poet Mary Eliza Crane, and I didn't even mind that our reading was in the portable set 50 feet beyond the main building and there were only 3 people who came, didn't mind a bit. 

Mary and I got to swap ditties about Duvall, Washington, the sleepy little hippie town located East of Seattle at the Cascade foothills.  She has lived there for a couple of decades and I sort of came of age there.  Officially, "coming of age" is supposed to be early adolescence, but in my case it arrived much earlier due to a particular self awareness only children from hippie towns can know.   Mary wanted to know what that was and my list was easy to recite.

1. Parents of my friends who smoke pot from Hookah pipes.
2. Parents of my friends who store placentas in their freezers.
3. "                                              " pierce their infants' ears.
4. "                                              " serve their children plain yogurt for dinner.

My house was so mild in comparison-- a civil worker and school teacher.  What I would give to have grown up with a guitar playing father and a mom who made her own soap.  At the home of one set of friends, a brother and sister, their parents displayed a portrait of the two of them naked and kissing on the mouth.  Not the parents, but the children, the brother and sister.  It was odd.  Very odd.  

When I went to fill up my water cup, Mary intervened. "Wouldn't you rather have some well water over city water?"  And she went to get her water for me.  She came back with a tall Mason jar filled to the brim.  I kidded her saying, "only a girl from the country would be carrying well water around in a Mason jar."  I think I want that to be a poem.  "Well Water in a Mason Jar."  She told me how she once had to come to Bellevue to meet with someone she'd never met in person before.  She had asked him, "How will you know who I am?"  He reassured her it wouldn't be a problem because he could figure it out.  They met at a crowded shopping mall and he walked right up to her.  Apparently, people from Duvall are immediately identifiable. 

Presently, I am sitting in the most awkward of locations: directly -- and I mean DIRECTLY -- in front of the cake and pastries display case at Honey Bear Bakery.  These cakes are triple and quadruple tier and decorated in the most unholy of confections: chocolate shavings, strawberries, cherries, silky pudding.  Intermittenly, there is a queu of customers ten deep ogling the cakes behind the glass.  At times someone will come dangerously close to my table.  It is kind of fun observing the foodies lusting after these cakes, making polite inquiries, ordering them to go. 

I will have poems published at http://www.notellmotel.org/  over this next week, five in all. 
 
 
Turquoisette
21 October 2009 @ 11:51 am
I am ack home . . . that's BACK home, but if it's just the same to you dear reader, it may as well be ACK! HOME!  Even typos are vulnerable to freudian slippage. 

So I'm airing the apartment out with the profound impulse to call in a dumpster and throw everything away.  Really.  I'm so sick of STUFF.  All the efforts one makes to create a nice home environment, and at some point you just get sick of the same stuff, seeing it day after day.  Usually, this calls for rearrangement, and yes, that works for awhile, and at some point you just say, I'm moving!  But that creates an even larger set of problems and decisions. 

Gus is pissed off.

He is hrumphing and sighing.  For two months he had acres to play in, horse corrals to antagonize, poop to roll in, cats to chase, people coming and going, love and attention from all sides.  Yesterday he got stuck in the car for 12 hours, minimal scoobie snacks (protesting, where's my chicken livers!) and today he's cooped up in my little adobe.

Well I'm off to vacuum and wash the bed covers.  I want to paint and buy all new curtains and bed spreads.  Ugh. 
 
 
Turquoisette
18 October 2009 @ 02:00 pm
I googled "Arizona Sweat Lodge Deaths" and this is what came up:

http://www.guardian.co.uk/world/2009/oct/18/third-sweat-lodge-death

And today I learn that 3 have died so far.  Yes, Native spirituality is dangerous.  Years ago I actually warned a classmate of such hazards.  She was relaying a sweat lodge ceremony she'd partaken in, and I uncharacteristically snorted and said: "It's your soul."  Meaning, such things aren't to be messed around with.  Ask any tribal person, they'll tell you.  Superstitious nonsense?  Perhaps not.  

Burning sweetgrass is potentially dangerous.  A native friend of mine routinely burns sage and sweetgrass in the anthro lab as there are human remains stored there.  One of the grad students brought her up on charges!  They actually held a meeting to determine if the sweetgrass was lethally toxic or harmful to the "artifacts."